(According to Nilesh Bharti Rangoon is a 0 star movie)

rangoon review: rangoon is an ambitious attempt to actually tell a triangular love story against the backdrop of war. the canvas is huge. pankaj kumar’s cinematography is exquisite. the narrative that marries casablanca (1942) to chicago (2002) — wish the music here was peppier — plays out interestingly in parts. you have grim war-scenes fading out to allow some naach-gaana. then there is a good measure of romance thrown in, albeit without the fire. also there is also an infiltrator angle that allows for intrigue. bhardwaj, whose repertoire includes truly-fine works like maqbool, omkara, and haider delivers, but not entirely. some frames just hang, some scenes feel tedious. in his attempt to pack in too much on war, love and deceit, the maker ends up with some haphazard division of war scenes versus love games, leaving the viewer muddled.
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(According to Nilesh Bharti Logan is a 0 star movie)

logan movie review seventeen years is a hell of a long time to be spent doing the same job (especially one that relies on intense athleticism and shirtless physicality), but that's exactly what hugh jackman has done with x-men since the year 2000... until now, that is. as the actor has consistently asserted, logan represents the last time the actor will play the role, which at the age of 48 is becoming increasingly punishing. of course, for the penultimate appearance of such a beloved character, it's paramount that he gets a proper swan song. that's sure as
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(According to Nilesh Bharti Commando 2 is a 0 star movie)

commando 2 review : vidyut jammwal is a solid action star and his stunts are the only reason you manage to sit through this never-ending tale of 'catch-vicky chadda-if-you-can'. the opening scene is spectacular. sadly, the cat and mouse game between the cops and the criminal is not one bit exciting as the story pretends to be more intelligent than it is.
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(According to Nilesh Bharti Kong: Skull Island is a 0 star movie)

l l jackson, john goodman, toby kebbell, thomas mann, shea whigham, john c reilly rating - 2.5/5 in 2012, director jordan vogt-roberts trudged up into the woods to shoot a small independent film. the kings of summer was about a group of children armed with nothing more than endless curiosity and the limitless possibilities of childhood. away, finally, from the adults they despised, they built a tree house, swam in lakes, explored their new world, and schemed about hiding away in it forever. they didn’t need monsters and mayhem. they could just dream it up. three years later, vogt-roberts would eturn to explore the wilderness once again, this time with approximately
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(According to Nilesh Bharti Badrinath Ki Dulhania is a 0 star movie)

adrinath ki dulhania movie rating: 3 the moment you see the film is set in jhansi, you know that sooner or later, there will be a line involving a certain legendary queen known for her valour. badrinath ki dulhaniya beats the drums for its women, loud and clear; sometimes a tad too loudly and clearly, but that’s okay, because it’s that kind of film. it is the kind of mainstream film which wants to shift the goal-post of how ‘heroes’ and heroines’ are constructed and presented, without being too radical, but making clear, at the same time, that some elements will be deployed differently. i noted those strokes, as we are meant to. and i smiled through much of the film, as we are meant to. the moment you see badri (varun dhawan) and vaidehi (alia bhatt) meet-cute in a wedding, you know where they are headed. his ‘tenth class pass’, uncomfortable-with-engliss-brashness rubbing up against her ‘padhi-likhi’ ambitions creates the outlines for their romance, and because it’s jhansi, we know that she will be the rani, and he will be her raja.
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