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this movie is a very good movie. i want to see this movie. and this is very good cinema. actors and actress are very good. this is very nice and fantastic cinema. we will feel pleasure when we watch this cinema. and songs of this cinema are very very good. Posted By : Abinsha Navas On 13 Dec 2017 |
Very Good
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haraamkhor is a 2017 indian hindi film directed by shlok sharma. the film stars nawazuddin siddiqui and shweta tripathi. the first look of haramkhor was out on 8 march 2015. jasleen royal is the music composer of the film. the film was shot in just 16 days. in april 2015, a fir was registered against director shlok sharma on a complaint by balbharati, maharashtra's textbook bureau, objecting to striking similarities between its logo and promotion scenes from haraamkhor. haraamkhor was premiered in 15th annual new york indian film festival (nyiff) and indian film festival of los angeles (iffla). nawazuddin siddiqui received the best actor award for the film at the new york indian film Posted By : Surendra Kushwah On 6 Sep 2017 |
Very Good
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when a first-time director dares not to opt for the easy way out, the act has to be deemed a happy augury. shlok sharma's haraamkhor is a courageous film. it tackles a twisted and thorny theme with commendable sensitivity.
however, a few of the crucial creative choices that the debutant makes - the shaky handheld camerawork, the abrupt tonal shifts and the fragmentary narrative - do not come off in their entirety.
haraamkhor was stuck in the crosshairs of the censor board for a long time owing to its provocative tale of forbidden love set in an ostensibly tranquil central indian village where life has a humdrum rhythm.
the tempo of the place seems to have overly rubbed off on the film's structure and pacing, taking some of the sting out of its dark, disturbing premise.
sharma, acutely mindful of the stark, sombre air that hangs over his film's theme (an illicit relationship between a married schoolteacher and a girl in his class), seeks to lighten things up a touch via the shenanigans of a pair of pre-teen boys willing to do anything for each other.
haraamkhor movie review: it tackles a twisted and thorny theme with commendable sensitivity
the two impulses pull haraamkhor in opposite directions, undermining the impact of a film that might otherwise have translated into big sledgehammer blows.
the dashes of levity work at cross-purposes with the gloomy mood that is the essence of the film.
needless to say, haraamkhor is not an easy film to watch. a seemingly harmless man mutates into a predator and preys upon a psychologically timid girl. the consequences are inevitably disastrous.
this tale is bound to fluster wide swathes of the hindi movie audience accustomed to far less challenging big screen fare.
but those that can take in their stride the ugliness of a smarmy private tutor manipulating a troubled teenager's emotional vulnerabilities will find, at least in parts of the film, a nuanced exploration of loneliness and obsession - and their shocking repercussions.
the title leaves no room for ambiguity - the word describes a man who grabs what isn't rightfully his - but the screenplay isn't that quick with moral judgment.
this is despite the fact that haraamkhor begins (under pressure from the censors, no doubt) with a card submitting that the film is aimed at highlighting the dangers that young girls face from the people who are meant to "nurture, educate and protect them".
notwithstanding its flaws, haraamkhor is an important film buoyed appreciably by the pivotal performances from nawazuddin siddiqui and shweta tripathi.
the characters that the two play - deviant teacher shyam and 15-year-old sandhya respectively - are at the heart of the story.
but the distressing drama of their lives is presented principally through the eyes of two perky pranksters who have reason to detest the older man's affections for the girl.
one of the boys, kamal (irfan khan), the female protagonist's tuition mate, has a crush on her, but he ties himself up in knots when it comes to articulating his feelings.
the other is his precocious pal mintu (mohammad samad), who cockily extends a helping hand and promises to show kamal the way to sandhya's heart.
haraamkhor oscillates between shyam and sandhya's dangerous dalliance and kamal and mintu's misguided disruptions.
haraamkhor movie review: haraamkhor is not an easy film to watch
sandhya, abandoned by her mother, is new to the village. her father (harish khanna), an alcoholic policeman, has no time for her. his job and a long-suppressed secret keep him away from home.
the girl craves acceptance even as she is the throes of a sexual awakening. her favourite teacher fills the void in her life only to take advantage of her.
while the narrative fails to capture the intensity of the passion and despair that the relationship triggers, sandhya's emotional crawlspace is etched out with subtlety.
all she seeks is the comfort of a warm embrace. but her inner need quickly turns her into a victim of egregious sexual exploitation.
shyam isn't a habitual slime ball either. he loves his wife sunita (trimala adhikari), also a former student, and is diligent about his job, but he cannot stop himself from falling out of line when sandhya gravitates towards him.
he is violence-prone to boot. to begin with, the boys are at the receiving end of his cane. as he sinks deeper into a mess of his own making, he directs his anger towards the girls under his charge, even raising his hand on them.
shyam ends up losing sight completely of his moral compass and sense of ethics and yet appears to be an object of sympathy as much as he is one of contempt.
the duality is heightened by the nawazuddin's interpretation of shyam. his shifty eyes, tentative gestures and facial twitches speak a thousand words.
in a long sequence in which he grovels before his wife when she decides to walk out on him and pleads with her not to punish him for a 'minor misdemeanour', he demonstrates why he is the poster boy of mumbai's indie cinema.
shweta tripathi, essaying a character half her age, proves equal to the task of matching her formidable co-actor.
she animates the drama with diverse emotions ranging from angst-ridden perplexity to self-preserving assertion, from demure femininity to desperate defiance.
if nothing else, haraamkhor is a triumph of casting. every actor is perfectly suited for his/her part.
the two young actors, irfan and samad, are outstanding, as are the older members of the cast - trimala adhikari and harish khanna.
haraamkhor isn't a ground-breaker, but it certainly is worthy of applause for its fearlessness and for the impressive quality of the acting. Posted By : Rishid Aapte On 9 May 2017 |
Super Hit
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according to me this movie is little bit boring and the role of this guy i didnt liked it why beacause the movie is all about the school the teacher and the student and it is a very short movie so i didnt liked it . hope every other guy likles this movie bcoz the hero is very popular Posted By : Sarkar Raj On 22 Feb 2017 |
Average
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this movie is avarage because this trailar is not available for here but name hi haramkor h to film bhi haramkor hi hogi bhai muje to nahi pta ye movie kesi h but new yourk indian film festival award mila hai es movie ko to acchi hi hogi. thank for you Posted By : Ravindra Singh Gurjar On 17 Feb 2017 |
Average
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performances of nawaz bhai makes u to ser this film and is drama that assembles the story of a teacher and student it not a movie to watch for them who luvs action or thriller movie but for them who luvs watching good movies in bollywood and fan of serious performances of the actors
i toh loved it its an3star movie Posted By : Deepak Yadav On 17 Feb 2017 |
Time Pass
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the movie haraamkhor is not so good movie. nawazuddin siddiqui work in this movie as a school teacher and also provides home tuition to the students. a girl studying in his class. nawazuddin siddiqui like that student and he started giving a personal attention to that girl. all the movie around both of these love story.
this movie shows a bad impact of the image of a teacher. as me anyone should not watch this movie especially any student and teacher. Posted By : Neeraj Singh On 15 Feb 2017 |
Time Pass
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ok jaanu (english: ok darling) is an upcoming indian romantic drama film directed by shaad ali and story, screenplay & produced by mani ratnam and karan johar under their banners madras talkies and dharma productions respectively. it is an official remake of mani ratnam's tamil film o kadhal kanmani starring dulquer salmaan and nithya menen.the film stars aditya roy kapur and shraddha kapoor in the lead roles, portraying a young couple in a live-in relationship in mumbai with naseeruddin shah and leela samson play supporting roles as an older couple in the film, portraying the younger couple's landlords. a. r. rahman will compose the film's score and soundtrack while gulzar is the dialogue writer of this film. Posted By : Vinod Pawar On 15 Feb 2017 |
Not Rated
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it is the most movie by me iam the producer of this film iwant to act in this. film. but. i not. internet connection so badly idescarded now i romance with the film and invited you to my cinama to watch the movie and pay me money thanks Posted By : Babul Palei On 9 Feb 2017 |
Super Hit
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leave alone the sensor board, it is the kind of theme that can go against the moral grain of even the most liberal and radical of reviews. the disclaimer at the start , and inserted through the film, starting that sex with a minor is a punishable offence under penal code. Posted By : Sai Reddy On 7 Feb 2017 |
Average
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it's a amzing film gi vr awsm pic vim ...use 5 rating milna chahiye...nice movie nice film...it's a good film ek bar jarur dekhe is film ko if you have any seen this film plz see it ... about heard plz then you can write about what you have heard hf Posted By : Janmejay Jena On 18 Jan 2017 |
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hu guys this is a movie haramkhor it is a super hit movie i am happy a watching this movie i like this movie nawaz is a very good actor nice story very good direction super super hit movie guys don't lost movie is movie guys you going watching this movie Posted By : Shahe Alam On 18 Jan 2017 |
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haraamkhor is a 2017 indian hindi film directed by shlok sharma. the film stars nawazuddin siddiqui and shweta tripathi. the first look of haramkhor was out on 8 march 2015. jasleen royal is the music composer of the film. the film was shot in just 16 days. in april 2015, a fir was registered against director shlok sharma on a complaint by balbharati, maharashtra's textbook bureau, objecting to striking similarities between its logo and promotion scenes from haraamkhor. haraamkhor was premiered in 15th annual new york indian film festival (nyiff) and indian film festival of los angeles (iffla). nawazuddin siddiqui received the best actor award for the film at the new york indian film fe Posted By : Surendar Kudi On 21 Jan 2017 |
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movie is very good. all are good in this movie. it is a super movie i think .
you should watch this movie with you family.. i have not seen this movie my friend told me about this movie that you should watch this movie. thanku go for enjoyment with your family Posted By : Akshay Kumar On 21 Jan 2017 |
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good movie you must watch this movie with family it is a very good movie and a very one must watch this movie and go to yesterday and watch this movie that is the material that readied on movie with this condition with this property it is too good movie
Posted By : Naveen Tej On 21 Jan 2017 |
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wow that the great addition the email that it another one is time and effort the same time to meet me to get the morning at all times i don't want this invitation pass this along a little while the time of reading and i'm not really a little bit to be funtoosh in our lives of a little better. Posted By : Akhand Addy On 2 Feb 2017 |
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it is the most movie by me iam the producer of this film iwant to act in this. film. but. i not. internet connection so badly idescarded now i romance with the film and invited you to my cinama to watch the movie and pay me money thanks Posted By : Babul Palei On 9 Feb 2017 |
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when a first-time director dares not to opt for the easy way out, the act has to be deemed a happy augury. shlok sharma's haraamkhor is a courageous film. it tackles a twisted and thorny theme with commendable sensitivity.
however, a few of the crucial creative choices that the debutant makes - the shaky handheld camerawork, the abrupt tonal shifts and the fragmentary narrative - do not come off in their entirety.
haraamkhor was stuck in the crosshairs of the censor board for a long time owing to its provocative tale of forbidden love set in an ostensibly tranquil central indian village where life has a humdrum rhythm.
the tempo of the place seems to have overly rubbed off on the film's structure and pacing, taking some of the sting out of its dark, disturbing premise.
sharma, acutely mindful of the stark, sombre air that hangs over his film's theme (an illicit relationship between a married schoolteacher and a girl in his class), seeks to lighten things up a touch via the shenanigans of a pair of pre-teen boys willing to do anything for each other.
haraamkhor movie review: it tackles a twisted and thorny theme with commendable sensitivity
the two impulses pull haraamkhor in opposite directions, undermining the impact of a film that might otherwise have translated into big sledgehammer blows.
the dashes of levity work at cross-purposes with the gloomy mood that is the essence of the film.
needless to say, haraamkhor is not an easy film to watch. a seemingly harmless man mutates into a predator and preys upon a psychologically timid girl. the consequences are inevitably disastrous.
this tale is bound to fluster wide swathes of the hindi movie audience accustomed to far less challenging big screen fare.
but those that can take in their stride the ugliness of a smarmy private tutor manipulating a troubled teenager's emotional vulnerabilities will find, at least in parts of the film, a nuanced exploration of loneliness and obsession - and their shocking repercussions.
the title leaves no room for ambiguity - the word describes a man who grabs what isn't rightfully his - but the screenplay isn't that quick with moral judgment.
this is despite the fact that haraamkhor begins (under pressure from the censors, no doubt) with a card submitting that the film is aimed at highlighting the dangers that young girls face from the people who are meant to "nurture, educate and protect them".
notwithstanding its flaws, haraamkhor is an important film buoyed appreciably by the pivotal performances from nawazuddin siddiqui and shweta tripathi.
the characters that the two play - deviant teacher shyam and 15-year-old sandhya respectively - are at the heart of the story.
but the distressing drama of their lives is presented principally through the eyes of two perky pranksters who have reason to detest the older man's affections for the girl.
one of the boys, kamal (irfan khan), the female protagonist's tuition mate, has a crush on her, but he ties himself up in knots when it comes to articulating his feelings.
the other is his precocious pal mintu (mohammad samad), who cockily extends a helping hand and promises to show kamal the way to sandhya's heart.
haraamkhor oscillates between shyam and sandhya's dangerous dalliance and kamal and mintu's misguided disruptions.
haraamkhor movie review: haraamkhor is not an easy film to watch
sandhya, abandoned by her mother, is new to the village. her father (harish khanna), an alcoholic policeman, has no time for her. his job and a long-suppressed secret keep him away from home.
the girl craves acceptance even as she is the throes of a sexual awakening. her favourite teacher fills the void in her life only to take advantage of her.
while the narrative fails to capture the intensity of the passion and despair that the relationship triggers, sandhya's emotional crawlspace is etched out with subtlety.
all she seeks is the comfort of a warm embrace. but her inner need quickly turns her into a victim of egregious sexual exploitation.
shyam isn't a habitual slime ball either. he loves his wife sunita (trimala adhikari), also a former student, and is diligent about his job, but he cannot stop himself from falling out of line when sandhya gravitates towards him.
he is violence-prone to boot. to begin with, the boys are at the receiving end of his cane. as he sinks deeper into a mess of his own making, he directs his anger towards the girls under his charge, even raising his hand on them.
shyam ends up losing sight completely of his moral compass and sense of ethics and yet appears to be an object of sympathy as much as he is one of contempt.
the duality is heightened by the nawazuddin's interpretation of shyam. his shifty eyes, tentative gestures and facial twitches speak a thousand words.
in a long sequence in which he grovels before his wife when she decides to walk out on him and pleads with her not to punish him for a 'minor misdemeanour', he demonstrates why he is the poster boy of mumbai's indie cinema.
shweta tripathi, essaying a character half her age, proves equal to the task of matching her formidable co-actor.
she animates the drama with diverse emotions ranging from angst-ridden perplexity to self-preserving assertion, from demure femininity to desperate defiance.
if nothing else, haraamkhor is a triumph of casting. every actor is perfectly suited for his/her part.
the two young actors, irfan and samad, are outstanding, as are the older members of the cast - trimala adhikari and harish khanna.
haraamkhor isn't a ground-breaker, but it certainly is worthy of applause for its fearlessness and for the impressive quality of the acting. Posted By : Rishid Aapte On 9 May 2017 |
